Politics as Persuasive Performance

In this post, I juxtapose two notions about politics that I came across in the past couple of weeks.

One, in Slate’s Lend Me Your Ears podcast on Julius Caesar (which I referenced in my two earlier posts, available here and here), Mark Antony’s famous speech is seen as an appeal to emotion and is in stark contrast with Brutus’ appeal to reason. It is a performance, a façade that Antony puts up to get what he desires.

Two, in an episode of the Waking Up Podcast on the current fate of liberalism in the USA, Mark Lilla argues against the pull of identity politics. He says that politics should not succumb to self-expression. Instead, it should be a tool for persuasion.

So, there you have the reason for the annoying alliteration in this post’s title. Politics as a combination of performance and persuasion. A persuasive performance, if you will. Of course, this begs the larger question: would it be good politics, and I use good in a value-neutral sense here, if one of these features is absent? This is something to mull over in the future.

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